After a day of filming and editing, we projected this film onto various surfaces throughout the art school.

After difficulty sourcing equipment on the same day. We as a group decided to go forward with the projector concept. However rather than live streaming it, we would loop a film of the art school lobby and cafe with the tilt shift effect applied in the editing stage.

At this point Dylan and I began to work on a back up idea while Nick figured out the logistics of filming with a tilt shift lens and live streaming this footage through a projector adjacent to the site we were filming. After watching ’12 Angry Men’ we decided to try and change the way people viewed their environment. This would have come through a perspective warped photo on an unremarkable brick box in the northern quarter.

Following discussion with other group members these ideas combined with ideas generated by watching ‘The Wings of Desire’. To become something surveillance based. We looked initially at phone boxes to see whether or not we could draw people in through calling them but the ring turned out to be too quiet.

One of the ways in which Gattaca expresses social hierarchies is through scale and level. In these concept diagrams I have looked at how similar effects could be achieved through the change in level on a street and the interaction between objects at different scales.

The modernist architecture in Gattaca serves serves as a backdrop to the ideas of social hierarchy within the film itself. In a world where an outlying eyelash can have potential to ruin a man, the sterile, hard lines of modernism enforce the notion that to exist in this perpetual modernist concept one has to be more than human.